Tina Maria Glavan

Encaustic is a Greek word meaning “to heat or burn in” (enkaustikos). Also known as hot wax painting, a technique using heated beeswax and damar resin (crystallized tree sap) to which colored pigments are added and kept molten on a heated palette. The paint is applied to an absorbent, hard surface and fused with a heat gun or torch.

In my artistic journey, I delve into the captivating realm of encaustic wax, engaging in a deliberate and experimental process with diverse materials - inks, watercolor, pastels, graphite, photographs, collage, plaster and sand. Beyond traditional canvases< I explore the craft of encaustic vessels, broadening the dimensions of my artistic expression.

My art is a fusion of encaustic wax, mixed media, and intuitive expression - a celebration of the timeless and mysterious. By pushing the boundaries of artistic experimentation, I aim to evoke deep introspection and personal connections. Each piece is a journey, inviting viewers to rediscover their memories and reflect on their experiences. My hope is that this resonates on a profoundly personal level, sparking reverie and contemplation in those who engage in my work.

Born and raised amidst the ever-evolving environment of Queens, New York, I discovered my passion for art in the nurturing environment of my uncle’s studio. Guided by his expertise as an illustrator, my early exposure to visual storytelling ignited a lifelong partistic pursuit. Formal education at The Arts Students League and Parson’s School of Design refused my skills and deepened my appreciation for visual expression.

With a rich background spanning three decades in graphic and interior design, my artistic practice is grounded in a profound love for color and materials. as an active member of Long Island City Artist’s (LIC-A), I regularly exhibit at local venues such as Culture Lab and The Factory. Additionally I am a member of Studio41, an intimate artist collective in Long Island City.